10 Speed hits us with a brand new remix of Meek Mill’s newly released track Ice Cream. 10 Speed delivered an electric performance over the hip hop inspired track. As a bonus i added his remix of Lil Wayne & Drake’s “Used To”. Stream below.
Bobby Shmurda isn’t a free man yet, but the 20-year old rapper has finally posted bail this week.
The legal move will be reviewed by city officials before the Brooklyn rapper is actually released from Rikers Island.
The rapper has been in jail for about 6 weeks on gun, conspiracy and drug charges.
The city is expected to take about 72 hours to review the package, according to the New York Times.
Ira Judelson, a bail bondsman, helped Shmurda get his situation together. Judelson has also helped rappers like Ja Rule and DMX with their legal woes.
Damn, even the Doctor himself doesn’t want anything to do with Suge Knight. According to TMZ, the former Death Row executive claimed that Terry Crew called him and said Dr. Dre wanted to link up to end their beef.
Unfortunately, things didn’t seem to go well, because Suge ended up getting thrown out by Dre’s security. When TMZ asked Dr. Dre about the alleged meet-up, the Doc’s sources claimed that it never happened. And, since Terry Carter (the man Knight allegedly killed) was the only middleman to confirm whether the call was real or not, there’s no telling if Suge really was there for either a peace meeting or a 187.
Dre has been avoiding Suge, according to TMZ. The West Coast mogul believes that Knight is a target ever since he was shot six times last year. As of now, Suge has been arrested for murder and is in a LA jail.
New Haven’s own Jim-E-O goes bar for bar with Rochester’s Emilio Rojas in the remix to “Sky All Gray”, a mid-tempo street anthem sure to be close to any East Coaster’s heart. “Sky All Gray” appears on Jim-E-O’s “The Getaway” album which is available now HERE.
A special edition issue of Rolling Stone has enraged rapper Layzie Bone, because the hugely successful group Bone Thugs-N-Harmony was not included in “The 100 Greatest Hip-Hop Songs.”
On Facebook, he chided the rock publication for the dismissal of the Cleveland-bred collective.
“#RollingStone releases new issue “The 100 Greatest Hip-Hop songs” you mean to tell me not one Bone song made there roster. SMH. First rap group with a Grammy. Over 50 mil sold worldwide and, we contributed a style and harmony that changed hip hop 4eva. They trying to sweep me and my Ni**az under the rug huh. Erase us from history. Nah f**k that and f**k #RollingStone I’m heated #BoneThugsNHarmony #Eternal we still selling out shows 20+ years and counting. BITCHES.”
By calling them out, he also received thousands of supporters that shared the post through their respective social media outlets.
“Crossroads” alone warrants inclusion on the list.
The song is a Grammy award winner and Bone Thug’s biggest selling single. It hit #1 on Billboard’s Hot 100, R&B/Hip-Hop Singles & Tracks and Hot Rap Singles when he came out in 1996.
Krayzie Bone, Layzie Bone, Bizzy Bone and Wish Bone performed the song, a solemn ode to those that have died.
Last Night, White Stripes frontman Jack White performed in front of a packed Madison Square Garden audience. And we get it, doesn’t sound like Hip Hop news right? Well, you’re wrong, because Q-Tip appeared on stage and performed with the rock star for two songs. You can check out the performance below.
Three years ago, Ramarley Graham was shot in the chest by NYPD officer Richard Haste. Yesterday, the city of New York has reached a 3.9 million settlement to the family of the late 18 year-old. Haste told the Associated Press that he shot Graham in fear for his life, but was soon indicted for manslaughter charges that wound up being dismissed by a judge.
“Haste was indicted on manslaughter charges in the summer of 2012, but charges were dismissed by a judge who said prosecutors improperly instructed grand jurors to imply they should disregard testimony from police officers that they radioed Haste in advance to warn him that they thought Graham had a pistol. A second grand jury declined to re-indict the officer.”
According to Complex, the formal announcement of the settlement will be announced this Monday
Big Sean promo game on Fleek. Ha! Anyhow, Sean returns with the official album cover and tracklist for his upcoming album “Dark Sky Paradise“. Comment below and tell us which track are you looking mostly forward too?
1. Dark Sky (Skyscrapers)
2. Blessings feat. Drake
3. All Your Fault feat. Kanye West
4. IDFWU feat. E-40
5. Pay No Games feat. Chris Brown & Ty Dolla $ign
6. Paradise (Extended)
7. Win Some, Lose Some
8. Stay Down
9. I Know feat. Jhené Aiko
10. Deep feat. Lil Wayne
11. One Man Can Change the World feat. Kanye West & John Legend
Deluxe Bonus Tracks:
13. Deserve It feat. PARTYNEXTDOOR
14. Research feat. Ariana Grande
15. Platinum and Wood
It would be hard for anyone to build a resume like producer Easy Mo Bee’s. He was behind the boards for some of the best songs in 90’s Hip-Hop. Biggie’s “Gimme the Loot,” Tupac’s “Temptations,” Busta Rhymes’ “Everything Remains Raw,” among many others, are memorable largely due to the beats that the man born Osten Harvey, Jr., created. Plus, he got his first break sharing album credits alongside one of his idols, Marley Marl, on Big Daddy Kane’s classic, It’s a Big Daddy Thing. He won a Grammy with Miles Davis. And he has made amazing music in the 21st century alongside Alicia Keys.
With enough accolades to make St. Patrick green with envy, Mo Bee is rightfully content with just letting his work speak for itself. And it is because of that, AllHipHop.com was very grateful for the opportunity to speak with him.
In celebration of 25 years in an industry that changes faces more frequently than high school and a new instrumental album, …And You Don’t Stop!, Easy Mo Bee drops knowledge proving that wisdom not only comes with age, but also, and even more importantly, experience.
Play to Your Strengths: Everything (on …And You Don’t Stop!) was created on SP1200s. You’re talking about the same kind of equipment that people like me, Large Professor, we were all using, like around, ’92, ’93, ’94. We’re still using the same stuff. I love the sound of it; I love the feel of it when I play it back and I listen to it. I’m more of a hands-on type of dude. I cannot sit there and be clicking the mouse. I can’t do it. I have to have my hands on the machines. I guess you could say that’s equal to people who play instruments. I feel better, like I’m actually playing a real instrument- like somebody who plays the guitar. I’d rather play them for real because its hands on.
Aspire to Stand out From the Crowd, Instead of Fit into It: Hopefully what this album will do is inspire some more originality in Hip-Hop. I also hope that it will just kind of allow people to come out of the closet after all these years. What I mean by that, is music has changed and Hip-Hop has changed and a lot of everything, production-wise, is geared towards the southern trap sound. And I see people where I’m from, from New York, or Brooklyn, or a place like Harlem or whatever doing the trap sound. It’s cool to adapt, but it’s just not us, do you know what I mean? I have to come out and say that, it’s not us. I hope that will inspire people. You know I’m getting real different with it.
Let the Good Times Outweigh the Bad: I’m glad you asked that (about 2Pac and The Notorious B.I.G. working together). A lot of people all these years, have concentrated on nothing but the negativity and the beef. I was there and I was working with them when they actually were friends and I was able to see them interact together. Them interacting together, it was just cool watching them work like that. I had no idea what was gonna happen [would] happen. All I saw was a bunch guys in a studio having fun, doing the same thing that I loved to do, which was make records. Pac, he’s more aggressive as far as styles when recording in a studio. He can’t sit down. He’s like, “Come on man, come on get up. We gotta get this done!” Biggie’s more laid back, he’s like the opposite, he’s sitting on the couch and kind of speaks when spoken to. He’s kinda quiet, just looking around. You don’t even think he’s working, but he’s writing in his head. They had kinda opposite styles, but they both came out with greatness when it was time to deliver.
Know You’re Judged by the Company You Keep: A lot of people may not know but I started out really really early with the Wu-Tang Clan, being associated, hanging around them, before they even decided to call themselves Wu Tang Clan. For that matter, Wu Tang Clan had not even happened yet. It was 1989 going into ’90 and I had just produced the Big Daddy Kane stuff. So, Lil Kwan had approached me and said “Hey man, I liked the Big Daddy Kane stuff and there’s an artist that I want you to work with.” They said his name is The Genius (GZA). I was like “Oh, ok.” He said, “I’m telling you G, you gotta meet these guys. What they’re doing is fusing the martial arts together with the Hip-Hop.” I’m like, “Yeah yeah, whatever. Let’s meet him and work.” I meet Genius and we end up making the album, Words From the Genius. I was still in the projects then, not really paying attention, they always were bringing somebody with them. I wasn’t paying attention to these tag alongs that were still coming. One time they brought Raekwon, and then another time they brought ODB. Me and ODB, we actually got involved. I have homemade demos where we put the microphone into the back of the DJ mixer and we were playing SP1200 beats. I have demos of Wu-Tang, Genius, and Ol’ Dirty Bastard that have never been released. I made them at the house in the projects. That’s my earliest involvement. I’m always proud to say that I had early involvement in the stages of Wu-Tang.
Recognize There Are as Many Personalities as People in the World: People are different. You have to be open to different personalities. Everybody has their own special way. In this business when you agree and commit to working with somebody you take on that whole plate of who that person is, to understand them, and you will fit a mold to work with that person. I think we end up doing that every single day, working 9 to 5. I didn’t do music all my life, I was a 9 to 5 dude too. People have different personalities from your boss to your co-worker or whoever. And you gotta understand who they are to get along with them, and that’s all for the purpose of getting things done.
…And You Don’t Stop! is available now on iTunes!